So who are the men in suits, and how Michael Armitage saved this painting.

The artist and his painting The Men in Suits, including Prince Andrew, Epstein, Weinstein
Men in Suits, including Prince Andrew, Epstein, Weinstein

Who are these men in suits, staring lasciviously at a group of young naked women performing a macabre dance for their pleasure? Is that Prince Andrew and Jeffrey Epstein along with Harvey Weinstein?

detail from men in suits painting with prince andrew, jeffrey epstein and harvey weinstein

I will try to explain, but first I have to thank Michael Armitage for helping me finish this painting. Well, not the man himself (I’ve never met him, and no doubt he’s never heard of me), but his masterpiece “#mydressmychoice”.

I’d been struggling with my painting for a few years – constantly repainting and changing the background. I knew what I wanted to say, but didn’t know how to say it. And then, about this time last year, while looking around the Radical Figures exhibition at the Whitechapel Gallery, I had my eureka moment. I had stumbled upon Michael Armitage’s superb painting #mydressmychoice and suddenly it seemed so obvious what I had to do.

detail of the painting #mydressmychoice by michael armitage
detail of the painting #mydressmychoice by michael armitage

I needed a collection of seedy, smirking, sweaty middle aged men to fill the background – all dressed in suits with patent leather shoes. So who could I choose? That was easy; you can find them everywhere: A disgraced politician; a Prince of the Realm; convicted sex offenders Harvey Weinstein and Jeffrey Epstein. I even added my own likeness, leering  in the top left, standing next to someone wearing a mask, who could well be you.

closeup detail of men in suits, with jeffrey epstein and harvey weinstein

The problem with this painting was that it had originally been intended as part of a larger composition with a different story. I abandoned that project, after spending an awful lot of time and money on it – it just didn’t work visually when I scaled it up to full size. But I did like this particular section, and the sentiment it evoked. And so I continued working on it. For four whole years. But still it didn’t work. And then I saw Michael Armitage’s painting, and I knew how to fix it.
So, after nearly four years of frustratingly little progress, it turned out to be quite easy to finish the painting in the end. Below is a short video of me adding the figures to the background.