So who are the men in suits, and how Michael Armitage saved this painting.

The artist and his painting The Men in Suits, including Prince Andrew, Epstein, Weinstein
Men in Suits, including Prince Andrew, Epstein, Weinstein

Who are these men in suits, staring lasciviously at a group of young naked women performing a macabre dance for their pleasure? Is that Prince Andrew and Jeffrey Epstein along with Harvey Weinstein?

detail from men in suits painting with prince andrew, jeffrey epstein and harvey weinstein

I will try to explain, but first I have to thank Michael Armitage for helping me finish this painting. Well, not the man himself (I’ve never met him, and no doubt he’s never heard of me), but his masterpiece “#mydressmychoice”.

I’d been struggling with my painting for a few years – constantly repainting and changing the background. I knew what I wanted to say, but didn’t know how to say it. And then, about this time last year, while looking around the Radical Figures exhibition at the Whitechapel Gallery, I had my eureka moment. I had stumbled upon Michael Armitage’s superb painting #mydressmychoice and suddenly it seemed so obvious what I had to do.

detail of the painting #mydressmychoice by michael armitage
detail of the painting #mydressmychoice by michael armitage

I needed a collection of seedy, smirking, sweaty middle aged men to fill the background – all dressed in suits with patent leather shoes. So who could I choose? That was easy; you can find them everywhere: A disgraced politician; a Prince of the Realm; convicted sex offenders Harvey Weinstein and Jeffrey Epstein. I even added my own likeness, leering  in the top left, standing next to someone wearing a mask, who could well be you.

closeup detail of men in suits, with jeffrey epstein and harvey weinstein

The problem with this painting was that it had originally been intended as part of a larger composition with a different story. I abandoned that project, after spending an awful lot of time and money on it – it just didn’t work visually when I scaled it up to full size. But I did like this particular section, and the sentiment it evoked. And so I continued working on it. For four whole years. But still it didn’t work. And then I saw Michael Armitage’s painting, and I knew how to fix it.
So, after nearly four years of frustratingly little progress, it turned out to be quite easy to finish the painting in the end. Below is a short video of me adding the figures to the background.

The Rite of Spring – a proposal for a painting

preliminary sketches for painting inspired by The Rite of Spring

The Concord Art Prize.

A few months ago I prepared a proposal for a really interesting art competition/bursary – The Concord Art Prize. Artists were invited to propose an artwork inspired by one from a list of ten pieces of music (I chose The Rite of Spring by Stravinsky). Shortlisted artists would be paid to produce their work. Definitely one to look out for next year.


In my proposal, I broke the composition into three sections. I was considering painting it as a triptych.
In the first section I tried to capture something of the first tentative signs of spring, signalled by that wonderful bassoon in the original music, suggesting a new beginning. The end of winter; a time of joy and restored hope. I found this quite poignant, because this was when we were finally emerging from lockdowns, looking forward to a return to normality. – the birth of a new hope for the future.
I chose to depict three “maidens”, dressed in contemporary summer dresses; with a bouncing stride emerging from over the horizon on the left of the painting. More “The Sound of Music” than pagan Russia. 

preparatory drawing for a painting - the three graces


The next section is about the pounding, primal rhythm; the overt sexuality that pervades most of the work. Dancing and cavorting; all passion, desire and curiosity. In my preliminary sketch I featured a statue of Pan, with one woman touching the statue, while another couple, totally self absorbed, are cavorting at the foot. Other figures would be added in the area around the statue. This sketch was just of the central characters. I wanted this section to look busy, chaotic and full of energy.

statue of pan - a preparatory drawing for a painting


I wanted to end with a growing sense of menace. This time the pounding rhythm shouts danger. This final section has a woman in obvious distress, trying to avoid the clutches of sweaty, pot-bellied older men. I envisaged the men in grubby t-shirts and Y-fronts. There is nothing playful or innocent about this scene. I want there to be a stark contrast, a jarring change of tone, with the frivolities of the middle section. There would be a small but menacing crowd gathering behind.

preparatory drawing for the finale to rite of spring painting


It’s been two months since I learned that my proposal wasn’t accepted. With hindsight I should have developed my ideas further to have a better chance of convincing the judges. My initial reaction was to shelve everything. A large painting like this would take a considerable investment in time and money. Aside from the considerable cost of materials, there is the difficult task of finding models and arranging sittings; and that’s before you even put brush to canvas.
However, it is a project I would love to work on and develop further, The sketches above are just initial ideas. Once you start working through different poses with models, you get new ideas. That is why I enjoy the collaborative process with models, and see it as an important step in the creative process.

The Judgement of Men – a recent painting

judgement of men oil painting, depicting prince andrew and jeffrey epstein passing judgement on three women on a beach
Prince Andrew and Jeffrey Epstein in a contemporary version of The Judgement of Paris

The male gaze.

Prince Andrew naked, proffering a golden apple to some naked women. Jeffrey Epstein by his side, gesturing to the same women. What’s happening here?
“The Judgement of Men”  is a reworking of the classic Judgement of Paris by Rubens. This new version is a painting about male menace, predatory behaviour and misogyny.
I must admit to having been, only on rare occasions, one of those men; sitting in a group, talking loudly and ogling women walking past.  I do feel a little embarrassed, and feel also a sense of complicity. Perhaps that’s why the male gaze has become a recurring theme in my recent work; maybe I’m seeking redemption.

This painting is available to buy at Singulart Online Gallery

prince andrew naked with jeffrey epstein, in a recreation of the judgement of paris
Prince Andrew naked, with his friend Epstein, in a recreation of The Judgement of Paris

I was particularly interested in painting something based on The Judgement of Paris, because it really  is such an anachronism in the present day, and seems to me an epitome of the male gaze. For the character of Paris, I painted a figure with more than a passing resemblance to Prince Andrew; looking somewhat disempowered in his nakedness. By his side, to replace Hermes (Mercury) in the original Rubens paintings, I painted someone resembling Jeffrey Epstein. Amongst other things, Mercury is the god of financial gain, eloquence, trickery, and thieves; he also serves as the guide of souls to the underworld.

The judgement of paris by peter paul rubens
The Judgement of Paris by Rubens

Above is the source of my inspiration – The Judgement of Paris painted by Peter Paul Rubens in 1636. It shows Rubens’ version of idealised feminine beauty, with the goddesses Aphrodite, Athena and Hera on one side and Paris accompanied by Hermes

Any resemblance to actual persons, living or dead, is entirely coincidental.