Nude Portrait Artist - Available for Commissions

11/08/202318/09/2023

How to Commission a Nude Portrait

Have you ever thought about commissioning a nude portrait painting?

You’re not that unusual if you have. I receive plenty of enquiries about such commissions. In fact, almost half the commissions I have worked on were for nude portraits, and I am sure I would receive many more enquiries if people didn’t feel slightly awkward asking about them.

The simple answer to the question “can you paint me nude?” is yes. I don’t see much distinction between a nude portrait and a more conventional portrait. The preparations for both are much the same. I like to arrange an in-person sitting if possible, during which I will make several drawings, trying out different poses. Once a pose has been selected, I will take a reference photo, and use that along with the drawings to create a painting.

I can have sittings in my studio, or am happy to travel to the client’s home. That’s often the best option, as the sitter is more likely to feel at ease in their home environment.

It often turns out that the best poses are not planned for, but can happen by chance. The light might fall on the body in a particular way; a fleeting expression might say more about you than a carefully prepared pose. By having a three hour sitting, we’re more likely to happen upon that one elusive pose that says what you want to say.

nude female model sitting on bed — An example of an unplanned pose that worked well – the model was just taking a break between poses

The most important step is finding out what the sitter wants from the painting. Everyone has a different reason for commissioning a portrait – nude or conventional. Understanding why you want your likeness painted will help me decide how to paint you.

Is a nude portrait the best way to boost your self-esteem?

Last year I was contacted by journalist/author Radhika Sanghani who was writing a feature on women who have commissioned naked portraits of themselves to celebrate their bodies. It was something she had personally done, and she was looking to be put in touch with women who had done the same. None of my customers wanted to be contacted (possibly because the story was destined for the Daily Mail), but Radhika managed to finish her article, and you can read it here: Is a nude portrait the best way to boost self esteem
I found it particularly interesting reading three different stories for why people had commissioned a nude portrait of themself.

Can I paint your nude portrait from photos?

It might be impractical for you to have in-person sittings. In that case I can paint from photos you provide, but they will have to be of adequate quality. I am happy to advise; it is possible to have a preliminary chat via Zoom-call, where I can give advice about the pose and lighting. Expensive cameras aren’t necessary. It is more important to avoid lens distortion and to get the correct lighting. Both are achievable with a good phone camera.

The most exciting thing about painting portraits is also the most daunting thing: there are such endless possibilities for how to paint someone, it’s a challenge knowing where to start. It might help looking at examples of nude portraits, by myself and other artists (photos or paintings), just to get some ideas.

selection of poses with nude portraits — Look at other paintings or photos for ideas about how you want to be painted

If you are thinking about commissioning a nude portrait, feel free to contact me with any questions. I am always happy to chat, with no obligation. Embarking on a portrait commission is a collaborative exercise between the artist and the sitter. It should be both rewarding and enjoyable, and can be more affordable than you expect.

More information at How to Commission a Portrait

01/06/202327/09/2023

Man and Woman

“Man and Woman” is a painting that I thought was finished over ten years ago. I’ve suffered years of nagging doubts, and a real reluctance to show it publicly, such that I finally decided to rework it.
It was only going to be a small amendment, but in the end I had to repaint the entire surface.

It’s debatable about how much the revision is an improvement. The poses are almost identical. Some people might prefer the earlier version. That’s irrelevant. I feel that the later revision is much closer to the painting that I tried to produce in 2009. Although the original version was no doubt true to the reference photos I was working from, I don’t think it captured a true likeness of the female figure.

I should explain something about the background to this painting. My partner had just passed away after a long illness, and in a splurge of activity I set about working on a series of paintings that recorded my lost partner and our relationship. Most had been planned while she was still alive (I had taken reference photos and made preparatory sketches), but sadly her poor health meant I was unable to work on them at the time. This was the last of that series, and for some reason it was the only one I was unhappy with.

The problem with resuming work on a painting after such a long time is that my painting technique has changed over the years. I still start with a monochrome underpainting, but my palette of colours has changed considerably, I use different mediums, and my use of glazes has become more restrained.
Nevertheless it was an interesting exercise. The photo below shows a lighter palette in the revised painting.

Another interesting aspect of this exercise is that I no longer have the original reference photos. Much of the work on my late partner’s face was done from memory, which would normally have been outside my comfort zone. One area where my painting has changed is that I am less beholden to reference photos, and feel more confident to wander off track. I believe that I have achieved a better likeness here by doing just that.
In writing this post, and looking at photos of the two versions side by side, it does feel like a lot of work for only a small change. But it was worth it. I feel happier showing it now.

Edit: “Man and Woman” has since been shortlisted for the LGC Art Prize 2023
A recent post about the competition can be found here: LGC Art Prize

26/10/202005/10/2023

ING Discerning Eye

I’m very pleased to learn that my painting “I did not ask” has been accepted into this year’s ING Discerning Eye exhibition.

I did not ask

I did not ask my model about the scars on her arms. Despite working with her regularly and being on familiar terms, I never once broached the subject of those scars, and in my paintings of her I never showed them.
A couple of years after this sitting I read the book “A Little Life” by Hanya Yanagihara – a difficult and troubling read, but extremely moving. As I read about the main character’s self-harming and how his friends were all quietly aware of it, but never spoke of it, I thought again about my model bearing her scars in silence. That is what compelled me to find the sketches and photos from that sitting, and to produce this.

I think this painting is just as much about my own reaction to those marks on her forearms, and my awkward silence.

The ING Discerning Eye annual exhibition is a show of small works independently selected by six prominent figures from different areas of the art world: two artists, two collectors and two critics.
The selectors choose both publicly submitted works and works by personally invited artists. Each selector’s section is hung separately to give each its own distinctive identity. The impression emerges of six small exhibitions within the whole.

The exhibition website is here.

23/06/202014/08/2023

Why have your portrait painted.

portrait of woman with mastectomy sitting on bed — Woman Sitting on Bed

“Would you like to paint me?”

I don’t remember her exact words, but that was the gist of it. She barely knew me, but knew that I was an artist, and had seen my work online. How those words sound to an artist’s ears! Of course I wanted to paint her.
She had been through a lot – had fought enough battles, aside from her illness. And now she wanted to present a positive image of herself to the world; not the image of a scarred or damaged person, but instead the picture of a strong and beautiful woman.

It has made me wonder about the different reasons people have for commissioning a portrait. Most of the enquiries I receive about commissions are someone wanting a portrait of their wife, child or husband, in that order. Although I receive fewer enquiries from people who want their own portrait painted, they are far more likely to turn into actual commissions. It seems they already know what they want before they contact me. But their reasons are not always the same.
There was the ballet teacher. Dance was her life. As she began to look ahead to retirement, she wanted a record of herself as “the dancer”.., before she hung up her ballet shoes for good.

man with beard and tattoo — The Poet

The poet wanted a stark, bare portrait to take on stage, for his act. I think it turned out too stark and bare. He didn’t take it on stage.

nude portrait — Nude Portrait

A woman wanted a nude portrait of herself, as a gift for her husband. A man wanted a nude portrait of himself for his husband.
I wondered why I had a growing number of enquiries for nude portraits. I’ve tried to promote my conventional portrait work just as much, and didn’t understand this trend.. It turns out that my website ranks highly for “commission a nude portrait” and barely appears in a Google search for “commission a portrait”.

So anyway, if you know any poets, dancers, husbands or wives, or whoever, who wants that special portrait painted, whatever their reasons…, please point them towards my contact page.

02/08/201918/09/2023

Commission a Nude Portrait

Me posing in front of two commissions and a self portrait. Leegate Open Studios 2018.

Following on from my recent post about commissioning a portrait, I thought I’d add a quick post about less conventional portraits. Over the years, I would say that the majority of enquiries I receive about commissioning a painting are for commissioning a nude portrait.

The two nude paintings in the photo above make an interesting case study. Both clients already had a good idea of how they wanted to be portrayed. Subject 1 (female sitter on left), was able to pose in their own home, and had few restrictions on their time. The first sitting was spent making sketches of various poses. In the second sitting I produced a more detailed pencil drawing, from which I was able to start the painting. There followed a few painting sessions, each lasting about three hours. In between I was able to work from a reference photo to bring the painting forward.

commissioned portrait of woman after breast mastectomy — woman sat on bed

Subject 2 (male model in centre, behind me) chose to pose in the studio. Because there was already agreement on what the pose would be, we were able to compress the whole preparatory process into one sitting. We started with preliminary drawings, constantly adjusting the lights, and then spent the rest of the sitting taking photos. At that stage I was happy that I had all the material I needed, and was able to complete the painting without further sittings.

I hope that sheds some light onto the process involved in commissioning an artwork. Exactly the same applies to a conventional portrait painting. I should add that if it’s not possible to arrange an in person sitting, I am able to work from photos supplied by the customer. In that situation I can give direction on the pose, background and lighting. If I am asked to work from old photos, I like to see a number of photos of the subject, to give me a better idea of what they look like, which gives me the option of swapping elements from different photos.

If you have any questions about a possible commission, please get in touch via the email on the Contact page.