The Bed

Three paintings from Tracey Emin’s I Followed You to the End Exhibition

The Bed in Art: A Painter’s Perspective

What does a bed represent to you? A sanctuary for rest, a stage for intimacy, or a canvas for our most vulnerable moments?

After visiting Tracey Emin’s “I Followed You to the End” exhibition at White Cube Bermondsey, I was struck by the recurring motif of the bed in her work. It resonated with me deeply, as the bed also plays a significant role in my own Relationships Series of paintings. This inspired me to think more about how other artists have used the bed, the varied meanings it can hold, and how my own use of this powerful symbol has evolved.

Early work from my Relationships Series of paintings

A Sanctuary for the Soul: Van Gogh

The bed has long been a powerful symbol for artists. Perhaps one of the most famous examples is Vincent van Gogh’s “Bedroom in Arles” series. Painted in 1888, these works depict his simple room in the Yellow House. For van Gogh, the bed likely symbolized a sanctuary—a place of solace and personal retreat from a turbulent life. It stands as a metaphor for his search for peace and stability.

Toulouse Lautrec, In Bed

A Stage for Intimacy: Toulouse-Lautrec

Henri de Toulouse-Lautrec, one of my favorite artists, often used beds as a stage for themes of intimacy and human connection. In his work, the bed is not merely furniture; it is a private world where genuine connections are forged, away from the public eye. He captured snatched moments of true affection that stand in stark contrast to the superficiality of his subjects’ working lives.

Tracey Emin, My Bed

A Mirror to the Self: Tracey Emin

Tracey Emin’s use of the bed remains a powerful element in her art, building on the themes she established with her iconic 1998 piece, “My Bed.” In Emin’s work, the bed is a deeply personal and autobiographical space, reflecting her raw experiences, emotions, and vulnerabilities. For someone who has endured long-term illness, the bed can become an entire world, a theme Emin explores with unflinching honesty.

Relationships Series

Connection and Isolation: My ‘Relationships Series’

The bed in my own Relationships Series has evolved over time. Initially, the paintings were autobiographical, simple observations of the intimate space in my own relationship.

As the series progressed, I wanted the bed to take on different meanings, representing not just physical intimacy but also emotional vulnerability and the complexities of human connection. I grew particularly interested in the physical and emotional distance that can separate a couple. The bed became a symbol of both connection and isolation, exploring the profound sense of loneliness that can exist even within the most intimate relationships.

man and woman

I plan to resume work on this series soon. The direction I take will depend on finding the right subjects for my observations, whether they are people in existing relationships or two individuals brought together for a sitting. I will keep you updated.

Two professional models posed for this later Relationships Series painting.

Tracey Emin exhibits alongside Edvard Munch and Peter D’Alessandri

tracey emin exhibits with Peter D'Alessandri
Kent artist exhibits with Tracey Emin

Two Kent artists exhibit at the Turner Contemporary

So, on the same night as the opening of “Tracey Emin/Edvard Munch, The Loneliness of the Soul” in Oslo, Tracey Emin was also exhibiting a painting at the Turner Contemporary Open, in Margate, alongside my painting “American Dreamer”.

tracey emin's bed next to a painting by edvard munch
Tracey Emin’s bed next to painting by Munch

I must admit to being very pleased with where they placed my painting. I can see why they did it; the splash of red in my work sits nicely next to Ms Emin’s piece. The whole exhibition has been cleverly arranged with similar decisions throughout. It was an aesthetically pleasing experience going from room to room, and I’d strongly recommend a visit.

detail from painting American Dreamer
detail from American Dreamer

An even nicer surprise was when Ms Emin left a nice comment on my Instagram post. It can be a hard slog being an artist. Lonely and largely unrewarding, with prolonged periods of rejection and dejection just briefly interspersed with the briefest glimmers of hope. So it’s nice when someone from the Artistic Aristocracy says something nice to you. Thank you Tracey.