Revisiting my Relationships Series

relationships series painting - two men nude on a bed, looking separate ways

Relationships Series – Starting Again

How well can we truly know another person? Even in our most intimate moments, an invisible, palpable distance remains. This question has always been at the very heart of my artistic practice, and it found its deepest expression in my “Relationships Series.”
For those who have followed my work, you’ll know this series began as simple figure studies back in 2010. It quickly evolved into an ongoing meditation on our relationships – about our sense of isolation and vulnerability.  It’s been several years since I last added to this body of work, but I’ve found myself persistently called back to it.

relationships series painting - man and woman on a bed

Small Lives

This series is more than just a collection of paintings; it’s the central pillar of my artistic inquiry. I’ve always been fascinated by the intricate, triangular relationship between the artist, the model and the viewer. My work seeks to explore that invisible, yet profound, truth that even in our most cherished connections, we remain distinctly separate.
After a long break, I feel a need to explore this theme again, to see how my own understanding of it has shifted with time. I have been distracted by painting about political upheaval and social injustice. But just as my frustration with the state of the world grows, I have come to realise that there is no bigger subject than our own small lives.

artist and model

Missing the Spark: The Energy of the Studio

For several years, my artistic focus shifted, and I stepped away from working regularly with models. It took me some time to realize just how much I missed that collaborative relationship—and how much my core work thrives on it.
There is an undeniable energy that a model brings to the room. The studio becomes a silent stage, charged with a quiet intensity. This collaborative energy is a catalyst for inspiration. The subtle shifts in posture, the shared silence, the vulnerability of the experience—it all feeds directly into the work, breathing life into the concepts I’m trying to capture. It’s this dynamic, in-person experience that I’m so eager to return to.

relationships series painting - two women on a bed

An Invitation to Collaborate

To resume this series, I am now seeking new collaborators. I am looking for people—individuals and couples—who are interested in posing for this work.
In my practice, the model is never just a passive subject. You become a central, active part of that artist-model-viewer triangle. Your presence is the catalyst for the entire conversation. The process of posing for this series is quiet, contemplative, and collaborative. It’s an opportunity to share a space and become a co-explorer in this meditation on connection and separation—to help make visible that “profound truth that even in our most cherished connections, we remain distinctly separate.”

If this theme resonates with you and you are interested in being part of this new body of work, I invite you to get in touch.

Please [Click Here to Contact Me] with a little about yourself and why you’re drawn to this project.

 

Life drawing

  • life drawing studies by artist Peter D'Alessandri

The Life Room

The Life Room has long been a cornerstone of artistic education. It provides a dynamic environment where artists and students can engage in close observation and immediate artistic creation.
Since my first introduction to the Life Room at art school,  I have always had a love of drawing the human figure. Aside from being a useful exercise in developing your technical skills and practising new techniques,  each human figure has an intrinsic beauty and uniqueness that offers endless forms of expression.

artist drawing life model in studio

Wherever I have lived (and I’ve moved around an awful lot in the last ten years) I always tried to find somewhere I could practice my life drawing. It wasn’t easy the past year in Eastbourne. I couldn’t find anywhere suitable for when I was free.
On moving back to London last week, the first thing I did was look for a good life drawing group. A quick search on Meetup found different classes each day and evening of the week. That’s the beauty of living in a big city. It has been a while since I’ve drawn from the model, and I couldn’t wait to get started.

life drawings of male nude in graphite and chalk

Drawing has always been an essential component of my art practice. It starts with preliminary sketches, evolves into detailed renderings of each subject, and culminates in the careful planning of layout and composition on the canvas. Drawing is the indispensable tool that transforms a mere spark of an idea into a fully realized painting.

Drawing From Life

My experience during lockdown reminded me of the incredible value of drawing from life. During this time I spent each day drawing something around me, from empty wine bottles to kitchen utensils. I’ve never been one for still-life, but I found that forcing myself to study the subject, regardless of how boring it may seem, enabled me to eventually see a new level of detail. Normally after an hour of studying the subject, it felt like a veil had been lifted. I could see subtle variations in tone that I hadn’t noticed before. I find this is exactly what happens during a life drawing session, and it is why I prefer longer poses

life model sitting next to life drawings
life model sitting next to life drawings

The Human Eye vs The Camera

When you draw from life, you’re constantly translating a three-dimensional world with its rich, dynamic range onto a flat surface with limited tones. This process is part of the magic of life drawing. In contrast, when you snap a photo, the camera does all these calculations for you. However, it might interpret things differently, often missing out on a wealth of details that get lost the moment you press the shutter.
In my past experiences hiring models, I was always too conscious of their hourly rate, which led me to rush through as many poses as possible to maximize my reference photos. Reflecting on those sessions, I realize this was a mistake. Moving forward, I plan to include at least one long pose in each session. This approach also applies to portrait sittings, which is why I always aim for a three-hour sitting for a portrait commission. Even if I later work from reference photos, that initial sitting is a crucial part of the process.

teddy posing for portrait

A few notes for people who would like to try life modelling

For anyone interested in trying out life modelling, The Register of Artists’ Models has some useful resources online.

modelreg.co.uk/st_AdviceForModels

And for anyone who would like to attend a life drawing class, Candid Arts Trust has different classes (tutored and untutored) most days of the week. You can join via Zoom, or attend in person if in London.

www.candidartslondon.com

Life drawings of male and female nudes from Candid Arts long pose sessions
Life drawings from Candid Arts long pose sessions