Since April 2013 I’ve been hiring models on a regular basis. Prior to this I’d been using friends, relatives and reluctant partners as models. Having been seriously let down by a friend, after months of planning for a painting, I decided that I would start working with professional models from now on.
Of course I’ve worked with professional life models in various life drawing groups over the years, but had never hired a model for a one to one sitting. Joining life drawing groups was fine as an exercise, as drawing practice, but was useless for developing poses for my compositions; I would never enjoy much control over the lighting and the model’s pose.
My first attempts to find a model were via Gumtree. Although my first advert for a life model was successful, and I found an excellent model with whom I worked regularly for several months, subsequent attempts to find portrait models via Gumtree were a waste of time. Communications with prospective models were painfully drawn out, and the models who I found (with one exception) were so uncomfortable and self-conscious posing, that it made the sitting a nightmare.
I then discovered that I could have an Artist portfolio account on the popular model networking sites ModelMayhem.com and PurplePort.com which has made it so much easier to find models to work with. The forums on these sites are filled with photographers moaning about being let down by models, but in my experience, every model I have worked with has been completely reliable and professional. When there are so many uncertainties and anxieties involved in creating a painting, it has been such a relief to find that arranging a sitting with a model can be completed in just a couple of emails, and sometimes within a few minutes.
The life models I have worked with via these sites have proved to be completely comfortable with and experienced at posing nude, which makes my life so much easier. One thing that always surprised me about the numerous models I have encountered in various life classes and groups over the years, including my college life drawing lessons years ago, was just how few seemed completely comfortable with what they were doing. Many of them acted like they were doing it for a dare!
I am very selective about who I work with. For any particular painting I may be looking for a specific body type, but I will always look for a face that intrigues me. I consider my nude paintings to be portraits. I am fascinated in the whole process, starting with the model posing – what is their motivation? It’s seldom just about the money. What is the artist’s fascination with depicting the nude figure? It’s not about titillation. And what does the viewer see in the product of this relationship.