“Present Perfect Continuous”, hosted by Zverev Contemporary Art Centre in Moscow, has just finished. This show was a collaboration between artnumber23 here in London, and the Zverev Contemporary Art Centre.
My contribution to the show was my portrait “Michael”, which the organisers kindly placed in a frame before showing.
Well, this years open studio event at Leegate House has been and gone. Many thanks to those that made the journey to this little corner of southeast London. Thankfully the heatwave abated, just for the day, and we didn’t all melt in our studios.
These open studios events are a prerequisite for studio providers to maintain their charitable status – to demonstrate they’re “engaging with the community”. In my experience, many studio providers will only make a token effort, and most artists will see it as an inconvenience.
I’m pleased to say that Bow Arts treated this event with a lot more enthusiasm than some other studio providers I’ve been involved with; as did most of the artists here in Leegate House – it was the most enjoyable open studio that I’ve taken part in. Some of the nicest conversations I had were with local people who’d seen a flyer in the local Sainsburys, and thought “I must go along to that”. I spend most of my time locked away alone in this room on the fifth floor. It’s actually quite nice opening the doors to the public once a year.
I’ve started work on a series of headless nudes. It’s a development of some figure studies I have been working on. I was interested in seeing to what extent a sense of the sitter’s identity could be conveyed if, first, they were stripped of their clothes, and then, as in the case with this painting, their heads were cropped from the painting.
I’ll be showing a few paintings at the upcoming Stomach III exhibition/show at Hoxton Arches. It’s on for one day only, and if the previous event – Stomach II – is anything to go by, it’s sure to be an entertaining evening.
This is a portrait of my friend and fellow artist Tarique. Some of his paintings and ceramics can be found here. It was an interesting challenge painting his painting (which we used as the backdrop), and having to use a quite different palette.
I had a life drawing session with a new model last weekend. I want to start collecting material for a new series of paintings, where the model is set within a domestic environment, in natural poses; either relaxing, bathing or doing chores. It’s a return to a theme I worked on about ten years ago.
The sitting went well enough. As it turned out, we didn’t move out of the kitchen, as the light was so good in there.
I was recently clearing out my late Mum’s house, when I came across a self-portrait that I must have painted when an Art School – probably 1983-84. I don’t have any of my old student paintings, and so this is an interesting reminder of my old painting technique. I’ve shown it below along with my most recent self-portrait, to show the difference in styles.